{"id":89,"date":"2020-11-19T23:14:34","date_gmt":"2020-11-19T23:14:34","guid":{"rendered":"http:\/\/williewaldman.com\/?p=89"},"modified":"2021-01-13T17:48:07","modified_gmt":"2021-01-13T17:48:07","slug":"rolling-stone-article-banyan-storm-palace","status":"publish","type":"post","link":"http:\/\/williewaldman.com\/index.php\/2020\/11\/19\/rolling-stone-article-banyan-storm-palace\/","title":{"rendered":"Rolling stone article &#8212; Banyan storm &#8220;Palace&#8221;"},"content":{"rendered":"\n<p>by Andrew Dansby<\/p>\n\n\n\n<p>In the seven years since the post-punk instrumental troupe Banyan last released a record, its four members &#8212; ringleader Stephen Perkins, Mike Watt, Nels Cline and Willie Waldman &#8212; accidentally developed into a band.  That quartet is responsible for <em>Live at Perkins&#8217; Palace<\/em>, due October 12th on Sanctuary.<\/p>\n\n\n\n<p>Prior to <em>Palace<\/em>, Banyan was a name with an identity crisis  The group&#8217;s second album, 1997&#8217;s <em>Anytime at All<\/em>, found Perkins hosting a revolving horde of roughly thirty musicians that included the players mentioned above along with the Red Hot Chili Peppers&#8217; Flea and John Frusciante, guitarist Buckethead and bassist Rob Wasserman, to name just a few.<\/p>\n\n\n\n<p>Of course, securing a Banyan lineup is no easy task, as its members aren&#8217;t wanting for things to do.  Perkins has had a day job drumming with Jane&#8217;s Addiction, Watt plays with his Secondmen as well as holding down bass for Igg Pop&#8217;s reunited Stooges, avant garde guitar whiz Cline shows up on myriad recordings in addition to recently joining Wilco for a tour, and Waldman&#8217;s trumpet is in demand, peppering albums by Snoop Dog, Perry Farrell and numerous others.  But their four schedules found some common free time last year to jam.  &#8220;We&#8217;d never pinpointed a Banyan sound,&#8221; Perkins says.  &#8220;It was everywhere.  But it&#8217;s more focused now than it&#8217;s ever been.  Floating around with these guys over the years, it feels like a band.&#8221;<\/p>\n\n\n\n<p>Though Palace &#8212; which will feature tracks including &#8220;El Sexxo,&#8221; &#8220;King of Long Beach&#8221; and the ode to Watt &#8220;Uncle Mike&#8221; &#8212; is all instrumental, Perkins says that it&#8217;s hardly homogenous.  &#8220;It ranges from some really hard, noisy shit,&#8221; he says, &#8220;to some beautiful stuff in a waltz tempo, things you might not expect from us.&#8221;<\/p>\n\n\n\n<p>Having gelled as a unit, the members of Banyan havn&#8217;t quite figured out how they will plug Palace upon its release.  With Perkins assembling a post-Jane&#8217;s Addiction band, Watt releasing a Secondmen record this fall and Cline on indefinite duty with Wilco, a full-fledged Banyan tour &#8212; with artist Norton Wisdom onstage painting amid the musical mayhem &#8212; seems logistically difficult.  In the past, Perkins has had no trouble finding instrumentalists to sit in.  &#8220;Perk is the essential component to this,&#8221; Watt says.  &#8220;He sits right up front on the stage and leads the charge.  He&#8217;s a great spirit.&#8221;  But Perkins seems particularly enamored with the lineup: &#8220;Now that I feel we&#8217;ve captured the true BAnyan on a record, I&#8217;m not sure if anything else will feel like Banyan.&#8221;<\/p>\n\n\n\n<p>But, if Banyan has a plan, live or on <em>Palace<\/em>, it&#8217;s not having a plan.  &#8220;A lot of it is improvised,&#8221; Watt says, &#8220;but not like a jam band.  For one thing, it&#8217;s much more aggressive.  We do takeoffs on Stooges and an intense kind of John Coltrane thing.  It&#8217;s a different process than with other bands I play in where you go to practice and work out tunes.  You don&#8217;t do much with Banyan.  Just show up at the gig and play your brains out.&#8221;<\/p>\n\n\n\n<p>Perkins adds, &#8220;We try things in different ways.  It&#8217;s truly about vibe.  If we play in the afternoon it&#8217;ll turn out different than in a smoky club at night.  It&#8217;s about our environment.  In theory it&#8217;s jazz music, but we&#8217;re not jazz players &#8212; we&#8217;re punks trying to find our way.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Andrew Dansby In the seven years since the post-punk instrumental troupe Banyan last released a record, its four members &#8212; ringleader Stephen Perkins, Mike Watt, Nels Cline and Willie Waldman &#8212; accidentally developed into a band. That quartet is responsible for Live at Perkins&#8217; Palace, due October 12th on Sanctuary. Prior to Palace, Banyan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":163,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[23,24,30,20,31,25,8,26],"tags":[],"class_list":["post-89","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-banyan","category-mike-watt","category-nels-cline","category-norton-wisdom","category-reviews","category-rob-wasserman","category-stephen-perkins","category-tony-franklin","et-has-post-format-content","et_post_format-et-post-format-standard"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/williewaldman.com\/wp-content\/uploads\/2020\/11\/WIllie-Wisdom-Art-2.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":3,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/89\/revisions"}],"predecessor-version":[{"id":92,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/89\/revisions\/92"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/media\/163"}],"wp:attachment":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/media?parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/categories?post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/tags?post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}