{"id":363,"date":"2021-01-13T21:09:00","date_gmt":"2021-01-13T21:09:00","guid":{"rendered":"http:\/\/williewaldman.com\/?p=363"},"modified":"2021-01-30T18:40:25","modified_gmt":"2021-01-30T18:40:25","slug":"ratdog-live-at-henry-j-kaiser-auditorium-on-2001-12-31","status":"publish","type":"post","link":"http:\/\/williewaldman.com\/index.php\/2021\/01\/13\/ratdog-live-at-henry-j-kaiser-auditorium-on-2001-12-31\/","title":{"rendered":"Ratdog Live Download at Henry J Kaiser Auditorium on 2001-12-31"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\" target=\"_blank\"><strong><span class=\"has-inline-color has-vivid-cyan-blue-color\">https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16<\/span><\/strong><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"548\" src=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/139476204_10101176329119219_7718571796923944235_n.jpg\" alt=\"\" class=\"wp-image-471\" srcset=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/139476204_10101176329119219_7718571796923944235_n.jpg 720w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/139476204_10101176329119219_7718571796923944235_n-300x228.jpg 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Ratdog Live at Henry J Kaiser Auditorium on 2001-12-31<\/h1>\n\n\n\n<p>Bury Me Standing<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/BobWeirWillie.jpg\" alt=\"\" class=\"wp-image-473\" srcset=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/BobWeirWillie.jpg 640w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/BobWeirWillie-300x225.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/rd2001-12-31d1t05.flac#\" target=\"_blank\">https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/rd2001-12-31d1t05.flac#<\/a><\/p>\n\n\n\n<p>FLAC Download: <a rel=\"noreferrer noopener\" href=\"https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=FLAC&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip\" target=\"_blank\"><strong><span class=\"has-inline-color has-vivid-cyan-blue-color\">https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=FLAC&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip<\/span><\/strong><\/a><\/p>\n\n\n\n<p>MP3 Download: <span class=\"has-inline-color has-vivid-cyan-blue-color\"><a href=\"https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=VBR%20MP3&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=VBR%20MP3&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip<\/strong><\/a><\/span><\/p>\n\n\n\n<p>by&nbsp;<a href=\"https:\/\/archive.org\/details\/Ratdog\">Ratdog<\/a><br>Publication date&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=date:2001-12-31\">2001-12-31&nbsp;<\/a>(<a href=\"https:\/\/archive.org\/details\/Ratdog?and[]=date:2001-12-31%2A\">&nbsp;check for other copies<\/a>)<\/p>\n\n\n\n<p>Collection&nbsp;<a href=\"https:\/\/archive.org\/details\/Ratdog\">Ratdog<\/a><\/p>\n\n\n\n<p>Band\/Artist&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=creator%3A%22Ratdog%22\">Ratdog<\/a><\/p>\n\n\n\n<p>Set 1<br>Disc 1<br>1. Jam &gt; Feel Like A Stranger &gt;<br>2. Easy Answers &gt;<br>3. Youngblood<br>4. Odessa &gt;<br>5. Bury Me Standing* &gt;<br>6. Scarlet Begonias* &gt;<br>7. Aiko Aiko* &gt;<\/p>\n\n\n\n<p>Disc 2<br>1. Dear Prudence &gt;<br>2. Stuff+ &gt;<br>3. Two Djinn &gt;<br>4. Touch Of Grey<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Notes<\/h2>\n\n\n\n<p>Whole show with DJ Logic<br><br>*-w\/ Willie Waldman<br><br>+-w\/ Chris Burger<\/p>\n\n\n\n<p>Addeddate&nbsp;2010-01-12 14:49:27<\/p>\n\n\n\n<p>Identifier&nbsp;rd2001-12-31.sbd.unknown.105315.sbeok.flac16<\/p>\n\n\n\n<p>Location&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=coverage%3A%22Oakland%2C+CA%22\">Oakland, CA<\/a>Source&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=source%3A%22SBD+%3E+DAT+%3E+CD%22\">SBD &gt; DAT &gt; CD<\/a>Type&nbsp;sound<\/p>\n\n\n\n<p>Venue&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=venue%3A%22Henry+J+Kaiser+Auditorium%22\">Henry J Kaiser Auditorium<\/a>Year&nbsp;<a href=\"https:\/\/archive.org\/search.php?query=year%3A%222001%22\">2001<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"786\" src=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1-1024x786.jpg\" alt=\"\" class=\"wp-image-436\" srcset=\"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1-1024x786.jpg 1024w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1-300x230.jpg 300w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1-768x590.jpg 768w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1-1080x829.jpg 1080w, http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/dave-willie-bob-wier-1.jpg 1473w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/archive.org\/details\/ratdog2001-12-31.km140.shnf\">Ratdog Live at Henry J Kaiser Auditorium on 2001-12-31 : Free Download, Borrow, and Streaming : Internet Archive<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-jambands wp-block-embed-jambands\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"kplvAq4Har\"><a href=\"https:\/\/jambands.com\/reviews\/shows\/2002\/01\/11\/phil-lesh-friends-ratdog-the-derek-trucks-band-and-crusader-rabbit-kaiser-auditorium-oakland-ca-12-31\/\">Phil Lesh &#038; Friends, Ratdog, The Derek Trucks Band and Crusader Rabbit, Kaiser Auditorium, Oakland, CA- 12\/31<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Phil Lesh &#038; Friends, Ratdog, The Derek Trucks Band and Crusader Rabbit, Kaiser Auditorium, Oakland, CA- 12\/31&#8221; &#8212; Jambands\" src=\"https:\/\/jambands.com\/reviews\/shows\/2002\/01\/11\/phil-lesh-friends-ratdog-the-derek-trucks-band-and-crusader-rabbit-kaiser-auditorium-oakland-ca-12-31\/embed\/#?secret=kplvAq4Har\" data-secret=\"kplvAq4Har\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><figcaption>Relix article<\/figcaption><\/figure>\n\n\n\n<p>Published: 2002\/01\/11<br>by David Lubell<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.addthis.com\/bookmark.php\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/s9.addthis.com\/button1-share.gif\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Phil Lesh &amp; Friends, Ratdog, The Derek Trucks Band and Crusader Rabbit, Kaiser Auditorium, Oakland, CA- 12\/31<\/h2>\n\n\n\n<p>The rains had slowed and the sky was clearing as fans began the pilgrimage in the afternoon. Surely this was a good sign for the Big Night: New Years Eve in Oakland with Phil Lesh &amp; Friends, Ratdog, the Derek Trucks Band and the lineup-to-be-named-later Crusader Rabbit.<\/p>\n\n\n\n<p>As they had the night before, the festivities began early. At 6pm the Derek Trucks Band hit the stage, kicking off what would be a marathon evening at the Kaiser. A new-look&nbsp;DTB&nbsp;featured Sean O&#8217;Rourke, formerly of Aquarium Rescue Unit, filling in for ailing drummer Yonrico Scott and relative newcomers Kofi Burbridge on flute and keyboards and Javier Colon on vocals and percussion. The&nbsp;DTB&nbsp;delivered 90 minutes of masterful funk, rock and jazz, with Colon&#8217;s smooth, soulful vocals giving the ensemble a completely different feel from the gruff, weathered, &#8220;bar band&#8221; days with Bill McKay (keyboards) singing lead. Colon adds a maturity to the ensemble, and together with Burbridge and regular bassist Todd Smallie, the group has grown and matured into a real force to be reckoned with, even without Scott, the elder statesman, driving the band.<\/p>\n\n\n\n<p>The set was highlighted by two surprise appearances by Susan Tedeschi (aka Mrs. Derek Trucks) who, dressed in a red cocktail dress, added her signature blues-growl vocals on two songs, which belied her appearance as an expecting mother as she swayed to the rhythm and gently held her baby to be.<\/p>\n\n\n\n<p>The set was a tasty warm up for Ratdog, who opened their 8:00pm set with a mini jam, a la Lesh &amp; Company. \u201cFeel Like a Stranger\u201d quickly came into audible focus and DJ Logic made his mark immediately with authoritative scratch-fills, unlike the previous evening which saw him ease into his role as the set progressed. \u201cEasy Answers\u201d saw the return of the Bobby stroll\u2019, treating those pinned against the front barrier with an up-close and personal glimpse of his side-of-the-hip rhythm guitar playing. \u201cYoungblood\u201d was fun as usual and the Chuck Berry-flavored \u201cOdessa\u201d featured Weir on steel guitar.<\/p>\n\n\n\n<p>A strong run of \u201cBury Me Standing\u201d&gt;Scarlet Begonias\u201d&gt;Aiko-Aiko\u201d marked the first appearance of the night for trumpet player Willie Waldman, who guested the evening before. \u201cBury Me Standing\u201d also continued the Pink Floyd flavor initiated on 12\/30, while \u201cScarlet\u201d took on a definitive Spanish flavor thanks to the superb duel horns. And in a first in this scribe\u2019s experience, Weir took out a tambourine on \u201cAiko-Aiko.\u201d All the songs were expertly played and proved a larger, more dynamic ensemble suited Ratdog well.<\/p>\n\n\n\n<p>\u201cDear Prudence\u201d was by far the most touching moment of the set, though Weir\u2019s vocals gave out often when reaching for the high notes. A retooled \u201cDrumz\u201d section featured drummer Jay Lane, bassist Rob Wasserman on his stand-up and DJ Logic hammering away and soon joined by another surprise guest, rapper Chris Burger from sax man Kenny Brooks\u2019 side project Alphabet Soup. Catching most by surprise as he darted on stage, within seconds he had the audience \u201cwaving their hands in the air, like they just didn\u2019t care.\u201d It was harmless, non-gangstah,\u2019 good time rap and the crowd ate it up; a nice change of pace indeed.<\/p>\n\n\n\n<p>\u201cTwo Djinn\u201d featured the full band (sans rapper and trumpet) and slid nicely into a somewhat \u201clite\u201d version of \u201cTouch of Grey\u201d to end the set. Like the previous night, there was no encore, but as it was already 9:30pm and we already had 3 hours of music under our belts, so no one was complaining.<\/p>\n\n\n\n<p>As a 40 minute setbreak wore on, the Kaiser didn\u2019t swell in ranks as had been expected, especially based on the prior night\u2019s show, which was clearly oversold. From the stands, it was clear one could maneuver the floor relatively easily, unlike 12\/30 which appeared suffocating on the floor. So it was strange that there seemed to be fewer people on New Year\u2019s Eve, but that could be chalked up to competition from bands like String Cheese Incident playing in San Francisco and dividing the fan base.<\/p>\n\n\n\n<p>At 10:15pm, Phil Lesh &amp; Friends hit the stage. Dressed in a t-shirt and an unbuttoned New York City Police Department Uniform top (complete with patches), Lesh took center stage and the group looked relaxed and ready for action. Jumping right in with a somewhat surprising \u201cMidnight Hour,\u201d Warren Haynes set the tone on vocals that this would be \u201chis night,\u201d much like last year\u2019s New Year\u2019s Eve show at the Kaiser. Unlike Weir, Haynes\u2019 vocals inexplicably never seem to tire or wear down. During the song, Susan Tedeschi joined the fray and matched Haynes note for fiery vocal note, staying on for the post-song jam\/segue then matching Haynes\u2019 guitar leads with her vocals on \u201cHard to Handle.\u201d It was already a Southern Night in this Northern California town.<\/p>\n\n\n\n<p>\u201cViola Lee Blues\u201d brought back the psychedelic San Francisco feel, and Haynes and guitar partner Jimmy Herring added some jazzy \u201cSo What\u201d licks, along with numerous anonymous teases reminding everyone how flexible and dynamic the group was. Slipping into \u201cTons of Steel\u201d was an appropriate nod to Brent Mydland and again featured Haynes\u2019 weathered vocals. Keyboardist Rob Barraco\u2019s harmony vocals blend so perfectly with Haynes\u2019 it\u2019s no wonder he\u2019ll be touring with Gov\u2019t Mule in early 2002.<\/p>\n\n\n\n<p>A \u201cHappy Trails\u201d jam lead into a full \u201cCosmic Charlie\u201d tease that had many scratching out the song in their setlists and writing in \u201cViola Lee (verse 2)\u201d when the ensemble took a sudden left turn. It was the kind of moment that the group specializes in, keeping the fans on their toes and staying one step ahead of the guessers and \u201cName That Tune\u201d aficionados in the house.<\/p>\n\n\n\n<p>As if Haynes hadn\u2019t already put in enough time on vocals, a smoking \u201cDear Mr. Fantasy\u201d flowed out of \u201cViola Lee\u201d with some distinctive \u201cHey Jude\u201d teases from Barraco. The two played off each other the entire song, but Haynes didn\u2019t follow him into the Beatles\u2019 classic. It was also no surprise when the third verse of \u201cViola Lee Blues\u201d appeared along with the ferocious jam that followed, which rolled into a set-ending \u201cCosmic Charlie.\u201d<\/p>\n\n\n\n<p>It was now merely 25 minutes until the witching hour, and the more astute fans towards the back could already see something being concocted behind a screen at the back of the floor. A float of some kind was being constructed, and security began moving fans on the floor out of the way so something could be moved about once unleashed. Rumors abounded outside the Kaiser pre-show, but as any Head who has put in his\/her time in the scene over the years knows never to believe a rumor, no matter how realistic or far-fetched.<\/p>\n\n\n\n<p>Fans buzzed (no pun intended) and speculated as to the band members for the upcoming Crusader Rabbit set. Shortly before midnight the questions began to get answered; the screen at the back of the floor parted, a makeshift float slowly made its way around the floor, with precious cargo in tow: three fully-attired wizards! Yes, wizards, albeit three seemingly familiar Wizards (one with grey hair spilling out from under his white wig, one with strikingly familiar red, white and blue wristbands and the third with some strange sandal-type footwearand no apparent pants) conjured up mystical spells with body language that seemed to say they were closer to wizards-in-training than fully ordained. And who ever saw three wizards whipping up a frenzy under a disco ball? Only in California.<\/p>\n\n\n\n<p>As the float made its way to the stage, mystical, Harry Potter-type video footage played on a screen above the stage, smoke filled the auditorium (from a smoke machine, it should be noted), and the wizards crept up on stage to the delight of everyone. Within seconds the countdown was on, midnight stuck, balloons dropped from the sky, people rejoiced and the wizards began disrobingrevealingBill Kreutzmann.Mickey Hartand Bob Weir!<\/p>\n\n\n\n<p>Phil &amp; Friends had already quietly assumed their positions, and a second drum kit wheeled into position behind Barraco\u2019s keyboards, next to John Molo\u2019s kit.<\/p>\n\n\n\n<p>What a treat, four original members of the Good Ole GD on stage together. And as if that weren\u2019t enough, all four joined the Crusader Rabbit ensemble Mickey and Billy sharing the second kit as Weir led the group into a rousing, opening \u201cNot Fade Away.\u201d Kreutzmann, dressed in all black with an open button-down shirt (a mite too formal, but classy), was simply beaming sharing drumming duties with his old bandmates.<\/p>\n\n\n\n<p>\u201cNFA\u201d was long and percussive, with Weir on vocals and Billy and Mickey hammering away, jumping up and down and playfully shoving each other. \u201cTruckin\u2019\u201d was greeted like a long-lost friend, and the smiles continued from all on stage. A spacey jam touched on \u201cSpoonful\u201d and \u201cSmokestack Lightning\u201d before reprising \u201cPlaying in the Band\u201d from the night before.<\/p>\n\n\n\n<p>As the jamming continued out of \u201cPlayin\u2019 reprise,\u201d Billy and Mickey left the stage and Hart hugged Molo and patted him on the head as he exited. \u201cHere Comes Sunshine\u201d seemed to be coming next, but ended up as \u201cThe Wheel\u201d and Weir, Haynes and Barraco extended the song\u2019s vocals by singing the \u201cWon\u2019t you try just a little bit harder?\/Couldn\u2019t you try just a little bit more?\u201d chorus in round style.<\/p>\n\n\n\n<p>An \u201cUncle John\u2019s Band\u201d tease eventually slid into \u201cSugar Magnolia\u201d and the crowd erupted. By the time Weir pushed his already taxed vocals to the limits on \u201cSunshine Daydream,\u201d more than an hour had flown by.<\/p>\n\n\n\n<p>The ensemble began to disperse to drained but enthusiastic applause. The group lingered on stage a while, though, giving hugs all around. It was a real see as, Weir, Lesh and Haynes embraced in a group hug, especially after rumors surfaced last year of friction between Weir and Haynes.<\/p>\n\n\n\n<p>Surely that was it for the evening. After all, it was already a 7-hour show, and we had just been treated to some Grateful Dead history, with the mini-reunion of Bill, Mickey, Bob and Phil. No one was heading towards the doors though, waiting for some signal their night was either over or would be extended. And no roadies were breaking down the equipment, a definitive signal the evening is over. Surely many were waiting for the familiar \u201cGreensleeves\u201d to be played over the PA, but short of that, no one was moving.<\/p>\n\n\n\n<p>Less than 15 minutes later, sure enough, Phil &amp; Friends returned for one more set. \u201cHelp on the Way\u201d was almost too much to ask at this point, but as if to celebrate a belated Christmas, Lesh kept the musical gifts kept coming. Some \u201cFiniculi, Finicula\u201d riffs punctuated a segue that led not into \u201cSlipknot!\u201d but into \u201cDark Star\u201d (leave it to Lesh to get good and spacey at this late hour). Derek Trucks slid on stage unannounced next to Haynes and joined the fray as the group took off, helping drop in \u201cTwilight Zone\u201d and \u201cTomorrow Never Knows\u201d riffs. Getting both verses consecutively was a treat, as was the Spanish jam that preceded an abbreviated \u201cTerrapin Station.\u201d<\/p>\n\n\n\n<p>A bluesy shuffle jam hinted at \u201cCC Rider\u201d as they exited \u201cTerrapin\u201d and even at this late hour, the group still had some surprises: the new Hunter\/Lesh composition \u201cNo More Do I,\u201d which featured some beautiful Haynes vocals, finally winding into the \u201cUncle John\u2019s Band\u201d that was teased throughout the night.<\/p>\n\n\n\n<p>It was 2:25am. We had seen five sets of music and the crowd as exhaustedwell, I was anyway. But as Lesh came back to thank the crowd and make his plea for us to become blood and organ donors, it didn\u2019t matter if there would be an encore. There hadn\u2019t been one all night, and that was just fine. This was a night for turning over a new leaf, starting a new page and putting the past behind us. It had been a long year for all of us, and it was only fitting that we usher 2001 out with a long New Years Eve party. Old friends had come back, if for only one night, giving us hope for the future.<\/p>\n\n\n\n<p>When Phil introduced his group for the first time in 2002, it was only fitting they get together on a song that summed up the evening: \u201cCelebration\u201d. Just like the opener, Haynes handled the vocals, easily earning&nbsp;MVP&nbsp;honors for the night, both with his voice and with his fingers. \u201cCelebration\u201d seemed longer than usual, as if Haynes was creating verses on the spot, not wanting the night to end. And just for good measure, Lesh decided to close the circle, if you will, with \u201cFranklin\u2019s Tower.\u201d It couldn\u2019t have been a better ending to what was pretty darn close to a perfect show. And none of the band members looked any of the worse for wear as they embraced and headed off to what was surely a hopping after-show bash.<\/p>\n\n\n\n<p>Minutes before 3am the crowd made its way down the windy rampways and through the exits of the Kaiser. The rain had held up, a final gift from the heavens since rain was a constant companion all week. Some scrambled for the&nbsp;BART&nbsp;subways, which would close down precisely at 3am, but most lingered to enjoy the afterglow. What 2002 will bring from the Dead camp remains to be seen, but if the magic and goodwill from the New Years Eve show can be stored away, recalled and built upon, it could provide the foundation for some very exciting things over the next 364 days and beyond.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16 Ratdog Live at Henry J Kaiser Auditorium on 2001-12-31 Bury Me Standing https:\/\/archive.org\/details\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/rd2001-12-31d1t05.flac# FLAC Download: https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=FLAC&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip MP3 Download: https:\/\/archive.org\/compress\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16\/formats=VBR%20MP3&amp;file=\/rd2001-12-31.sbd.unknown.105315.sbeok.flac16.zip by&nbsp;RatdogPublication date&nbsp;2001-12-31&nbsp;(&nbsp;check for other copies) Collection&nbsp;Ratdog Band\/Artist&nbsp;Ratdog Set 1Disc 11. Jam &gt; Feel Like A Stranger &gt;2. Easy Answers &gt;3. Youngblood4. Odessa &gt;5. Bury Me Standing* &gt;6. Scarlet Begonias* &gt;7. Aiko Aiko* &gt; Disc 21. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[54,10,50,15,52,53,49],"tags":[],"class_list":["post-363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio","category-bob-weir","category-dj-logic","category-grateful-dead","category-john-molo","category-live-2","category-rat-dog","et-has-post-format-content","et_post_format-et-post-format-standard"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/williewaldman.com\/wp-content\/uploads\/2021\/01\/maxresdefault-6.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/comments?post=363"}],"version-history":[{"count":7,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/363\/revisions"}],"predecessor-version":[{"id":536,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/posts\/363\/revisions\/536"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/media\/437"}],"wp:attachment":[{"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/media?parent=363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/categories?post=363"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/williewaldman.com\/index.php\/wp-json\/wp\/v2\/tags?post=363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}